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Evil Dead Trap 2

Evil Dead Trap 2

The Company Line

Supposedly this is a "stylish, but even more brutal" sequel to Evil Dead Trap . There is some "possession and sexual obsession [that] lead[s] to a number of gruesome slayings and eventually total madness." They also claim that there are "state of the art sfx, superb photography and a great story." Uh, something must have been left out of my DVD then.

1991, 95 minutes, Widescreen, DVD

The Review

Whoa Nellie! This one made my tumor, which had been in remission since The Beast Of Yucca Flats , act up in a big way! I actually had to stop this dang thing halfway through and go and get some McDonald's supersize fries in an effort to feel sick to my stomach so I wouldn't keep thinking about how much this movie was hurting my head! I know that virtually anyone who has seen both this movie and its shockingly superior sequel (shocking because it's difficult to believe that you could say the first one was superior to anything) maintains that Evil Dead Trap 2 is a dreadful follow up. Since most of these people are the same ones that heap warrantless praise on the first one, I naturally assumed that these people were vapid fools regarding every opinion they wielded like some sort of special ed name tag. In fact, despite the tidal wave of opinion against Evil Dead Trap 2, I was going into this affair with a good mindset - I was planning on playing within myself, stepping up when I had to, not take anything for granted, and generally approach this movie just like my high school cross country coach would have wanted me to.

As things began to unfold, I was delighted to see that the movie was going to star a fat, ugly girl, because it was such a departure from the usual disgusting Japanese slasher mayhem these types of films usually delivered (skinny chicks getting skinned, chopped, poked, and gutted). I'll admit that I was also hoping for some funny scenes of this tubby gal falling down a lot and at least a few scenes where she eats lots of food (those always crack me up). Well, we did get to see her at a meal, but it wasn't that funny and she did get into a wrestling match with one of her friends, but that wasn't until the end of the film, when I had already rolled off my couch unconscious from the pain this one inflicted upon me. I actually thought about turning it off after an hour, because I was so bored by it all. I was going to go ahead and write up this review and figured no one would ever know that I hadn't really watched it. But then I realized that I would know and I also knew that I would end up bragging about it and probably be drummed out of my cult, I mean fundamentalist church, so I decided that the best course of action would be to leave the movie running, sit down in front of it, but have a copy of Entertainment Weekly on standby so I could check during the movie's more excruciating parts, just how good that submarine movie starring Indiana Jones is (turns out not so good - never would have guessed that).

So what's the story with the fat chick and why was this movie the cinematic equivalent of a first time dry fisting (huh?)? That's exactly the problem! I had no idea what was going on and furthermore, it was all so poorly done, I didn't care. What I was able to make out is that Aki is an obese film projectionist that works in this movie theatre projecting movies or something. Somehow (it was never established why) she is friends with this woman TV reporter who used to be a popular singer, but is now covering a series of killings that keep occurring near some abandoned shopping mall. Ahhh, the old abandoned shopping mall! That, I understand! Actually, it isn't really abandoned at all, it's just being refurbished, but some character speculated that the shops went out of business because of all the killings. Sometimes at work, Aki also sees a little boy in the movie theatre. His name is Hideki. You may recall Hideki as the name of the little freak from the first movie that sort of lived inside his homicidal brother and ran around killing people (or was that his homicidal brother and Hideki was along for the ride?). As confusing and stupid as the Hideki character was in the first movie, they manage to take things to a whole new level in this one. Here, Hideki is some type mean old ghost, but he seems to be haunting everyone in Osaka. There's Aki who sees Hideki everywhere she goes. There's her good friend Ami who may or may not be preggers with Hideki and then there is their mutual friend named Kurashi or something. Kurashi is a married guy whose wife spends all her time in a child's bedroom playing with his toys and telling her husband that Hideki is going to come back sometime. It think it is obvious that we are supposed to think that Hideki was their kid and that it died, causing the mother to go nucking futs. That makes sense to me. What didn't make sense was that later in the movie when he got back from banging either Aki or Ami, his wife says that Hideki finally came home and Kurashi notices a pair of children's shoes and sure enough there's that little Hideki bugger staring at him. That's all well and good, but why is Aki having visions of him and why has Ami gone crazy and started killing people once she became pregnant with Kurashi's child?

Maybe I should back up and explain all about the serial killing that Aki is involved in (not the pregnant Ami) and the abortion she apparently had and the strange cult she gets mixed up in. See, this is all starting to come together like some big soupy, wormy crap pie. Ami and Aki have dinner and Ami introduces Aki to Kurashi. He wants to bang the attractive Ami (and he does later), but he spends most of his time putting the moves on the less than conventionally attractive Aki. She constantly rebuffs him by shooting him sour glances that only emphasize her chins and by pretty much ignoring him. He's one of those guys that's about as likely to give up on trying to nail Aki as Aki is likely to give up trying to nail an extra piece of pie. This is a very dull relationship because these characters are so poorly drawn that you have no idea why he is attracted to her and why he persists in trying to hump her. You also have no earthly idea why she would turn him down or why her good looking friend would hang out with such a downer of chick to begin with (especially when her man keeps hitting on her). At some point in time after she turns this guy down, Aki goes out and kills some other chick and guts her. She does this to another girl later as well. You may think it is quite the nice little coincidence that her friend is the one to report on the murders , but it's about as plausible as the fact that her reporter friend Ami gets all hot and bothered by covering the murders. I was never sure what all that meant, but luckily for me the manager of the movie theatre where Miss Piggy works comes to the conclusion that Aki must have had an abortion at some time in her past and that's why she's seeing boys who aren't really there. I thought it was nice that she had an understanding employer that didn't put her on suspension when she revealed that she was a whack job. Course he refers her to a cult that he has some interest in, so I guess it's all a wash. I feel compelled to note that he was featured once more in this film in the big "urinal cleaning" scene. I don't know why I felt compelled to note that, but that was just one of the stylish touches the back of the DVD must have been talking about. I can't believe they didn't include some sort of toilet scrubbing scene in the first one (and they say that's the good one!).

Aki runs off to a cult meeting and there she meets the woman that leads things. She is able to sense that there is some type of evil presence around Porky and this means she needs to write all this stuff down on paper, like famed medium George Anderson does with that stupid pad of paper and pen he scribbles with when talking to dead folks that knew Grade Z celebrities like MacKenzie Phillips (We want to hear from Mama Cass!). Laugh at George if you want, but his gig on ABC a few months back allowed him to meet a couple of MonsterHunter idols in Bret "The Hitman" Hart and Vanna White. Aki leaves the cult after awhile and I don't remember quite what happened next, but somehow or other Aki and Ami had a dispute over abortions, pregnancy, and/or their stupid boyfriend and it all lead to a predictable knife fight. I will give it to this movie in that I was giggling when big nasty Aki rolls into Ami's house to cut her up with her trusty pinking shears (the ones she used on a couple of skanks earlier). Any regularly sucky movie would have had Aki either kill Ami or have Ami fend her off and escape or kill her in self-defense. Evil Dead Trap 2? Ami has gone nuts herself and has taken to dismembering guys with a box cutter! If you've never seen two crazy, serial killer broads with blades go toe to toe, then this would be the high point of the movie for you. Aki thinks that she's top of the heap (you know how serial killers are) and is just going to come in to Ami's crib and gut her like the other skanks. Imagine her surprise when Ami bust out the box cutter on her and slashes her face and arms. Lots of pushing and shoving and tackling ensue with Aki escaping with her life only by pushing Ami into her bathtub which is full of some dude's arms, legs, and head. I think Ami was babbling about how her baby needed nourishment (or was that during their return knifefight at the shopping mall five minutes later?). No matter, because the movie has moved on to the movie theatre where Aki hooks up with Kurashi and makes out with him. That goes straight into the crapper once he starts ripping her wounds open, calling himself a child (Hideki?) and tormenting her until she's lying on the ground crying as he pours a beverage on her head. Not sure what was going on there, but the next stop is the grudge match at the shopping mall.

Before I forget, Aki had time between knife fights, getting tortured by her boyfriend, and eating, to visit the cult leader in the hospital. She was dying, but had the strength to hold a knife to Aki's throat and run her stupid yap about nothing anyone with a tumor in his dang head cared about. Anyway, the final confrontation is upon us. Since they already played this scene out five minutes before in Ami's apartment, they change it up a bit, by making this one slow motion. The highlights are as follows: Ami gets her arm broke so she cuts it off herself and feeds it down a drain to her baby (or something), Aki gets herself trapped on an operating table and thinks that Kurashi is doing something to her nether regions with some type of instrument that looks like an airbrush or something, but then wakes up and realizes she was hallucinating because it'd been two hours since she last stopped at Taco Bell, Aki and Ami have one more final showdown where they both fall down a hole into a bunch of water. Ami has her baby here and out pops a fully grown beautiful Kurashi! Aki takes this opportunity to bash him in the head with pipe. Then she watches as Hideki pops up from under the water (Glad you could make it!). Wowie, was this a doozy! Some have called it surreal, but the only thing surreal about any of this is that I paid money to not just watch this, not just to rent this, but to own this! I don't get to leave the theatre early, I don't get to take it back to the Video Pit and demand my money back. I am just a dumb hick stuck with quite possibly the most piss-poor film of our or any time. If you read all of this and thought that I must have been on quaaludes and just made up whatever popped into my stream of unconsciousness, you would be right, except that I simply reported what I observed in this gargantuan fiasco. I don't think I can recall the last time ideas were this badly communicated outside of a regular art film (like Fando & Lis) or a speech by W. himself. I guess this all revolved that evil little brat Hideki and the bad influence he had on these people, but why? What was his beef with all these people? Aki was haunted by an abortion, Kurashi was haunted by the death of a child and Ami was turned on by it all. At least I think that's kind of what was happening, but why did Hideki's ghost care? And how did he get out of that abandoned warehouse from Evil Dead Trap? Aaaarghhh! My tumor is pressing down on my optic nerve again and all I see are spots! Japan Shock, you've done it again! When can we expect Evil Dead Trap 3: Broken Love Killer? (Oh, and you better believe there was one!)

Reviews © 2004 MonsterHunter