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The Screaming Skull

The Screaming Skull

The Company Line

A "greedy husband" tries to drive his wife nuts by orchestrating unexplained happenings. "This film is a gem from a time past whose frissons will continue to creep stealthily into your subconscious." Um, maybe the meaning of that sentence will someday "creep stealthily" into my subconscious. They conclude by saying, [b]eware, they say, for you never know what can strike out from the darkness of either your mind or the room you are in."

1958, 68 minutes, DVD

The Review

This has got to be one of the dinkiest films I've ever seen. Coming in at pint-sized 68 minutes, almost nothing happens in the entire movie and it all feels like a glamourized television episode of one of those "scary" anthology shows from the 50s and 60s that wasn't as good as The Twilight Zone. With a cast of about five and one set, you get the idea that they weren't exactly trying to reinvent the wheel with this movie. In fact, the only reason the movie seems to exist is that somebody came up with the title and it sounded neat because of the alliteration. Realizing what a little unremarkable movie they had on their hands, the filmmakers turn to some flim-flam at the beginning. A coffin opens up as the serious voice of the narrator drones on about how horrifying the ending of the film we are about to see is and that since they would feel bad if you died of fright during their movie they promised to pay the funeral expenses of anyone who was scared to death at the movie. I think a better deal was if they promised a wake-up call following the film, but since it was so short, by the time I got all comfy under my quilt, gotten my water, turned on the night light and peed three times, the darn thing was over. Oh, and then they focus into the coffin and there's a piece of paper saying "reserved for you" on it. You know, did this sort of hype ever succeed in scaring anyone outside of a four year mongoloid?

The plot of this movie is straight out of Hitchcock! It is also straight out of William Castle. It's your basic "husband tries to make crazy wife go insane so he can get her money." The problems these movies always have is with both the husband and wife. The husband is usually so obviously slimy that you wonder why anyone in their right mind wouldn't knee him in the nads when they first got groped by him at the honkytonk. The wife is usually such a floormat and does such idiotic things, you can't really root for you. Half of what happens she gets herself embroiled in. You just wish they'd lock him in jail and her in the crazy house. This movie is no exception. It tells the fairy tale life of newlyweds Eric (there's a name to trust, like Chad or something) and Jenni. Eric is a dark haired guy who talks about how much he wants Jenni to be happy, so you just know he's sizing up her neck for a noose. Jenni is a dark haired chick who's claim to fame is her unsettling resemblance to Marilyn Quayle. It was really unsettling when she started running around in her bra and slip, but that's not until about half way through the movie (about thirty minutes in). Eric is bringing his ugly bride back to his country estate. This is the house that he and his first wife, oddly enough named Marilyn, resided in. First wife, I say? Yep, he was one of those smarmy guys that goes through wives like you or I might go through Mario Bava films. What happened to good old Marilyn? Well it seems she was running down a path and it was raining and I guess it was wet and she slipped and hit her head on the stone wall that surrounds this pond full of lily pads on the grounds. She ended up dead in the pond. And Eric ended up with this sweet crib he and Jenni are moving in. It was an accident about as much as when my ex-girlfriend got herself preggers.

You know who is else is on the grounds? The director of the movie! Yep, that's Alex Nicoli, the dude who is doing double duty, sucking it up from behind and in front of the camera! His gardener character, Mickey, is naturally the type who looks like he wet the bed, tortures animals and likes to set fires. His hair is a little long and unkempt (and I'm not sure what color it was supposed to be), he doesn't shave, but grows a beard about as well as Al Gore, and most importantly he walks with a bad-guy limp! If you limp, you're five times more likely to grow up and be a grave robber/crazed local. It's a proven fact! Mickey was obsessed with Marilyn and was understandably upset when Eric killed her, er, she tripped on a lily pad. In fact he's constantly hanging out at the pool where her body ended up, sometimes even talking to her. Eric keeps him around, because when strange and unexplained things like his new wife being killed are happening, Mickey makes a nice little, handicapped scapegoat. The only other two people in this movie are the Rev. and Mrs. Snow. They show up and Mickey talks about why Jenni is nutso and will probably kill herself, even though she has lots of money. You see, Jenni is "delicate" as they say in the crazy biz. Her parents were killed when she was younger. Their boat overturned and they drowned while Jenni sat on the shore, gorging on Moon Pies or something. So now, she's kind skittish about water like the kind of water you might find in a pool full of lily pads where a first wife might've slept with da fishes. Eric also take this opportunity to tell them that he is going to make her well by making her happy and that's his main concern. Dude, the rate at which you say stuff like that is inversely proportional to how much you really mean it. So Jenni meets Mickey and Mickey is a bit standoffish since he loves Rebecca, oops, I mean Marilyn (Oh and by the way, the estate they use in this movie is certainly no Mandalay! I should've just watched Rebecca and set my Keystone on this disc).

The next couple of nights are devoted to Eric trying to drive Jenni crazy. She helps things out, by hearing things and seeing things and on the first night she's up claiming she's hearing a person scream. Eric says, "don't sweat it babe, that's just the peacocks talking." Didn't I mention that besides a lily pad pond and a scuzzy gardener, that the estate has a couple of peacocks on it? How stupid (but they really sound strange when they squawk!). Another night Eric goes out to talk to his lawyer or something (just making out your will for you baby, that's all) so Jenni settles in for the night. Inexplicably, we have to watch her strip down to her bra and slip. Normally, I wouldn't object to that particular plot development, but in this case, its akin to seeing your grandma in her skivvies. I don't know what was going through Alex Nicoli's mind. Actually, I probably do, and it just ain't right, not even here in Missouri! Now, mercifully she gets into her nightgown (at least most of her does) and she lays down to read the latest issue of Haunted Homes and Gardens when all of a sudden she hears something. She goes and checks it out and then there's problems. There's a skull in the closet and blood on her hands. At some point a portrait of Marilyn taunts her as well. She takes the skull and chucks it out the window. In the morning, Eric is pooh-poohing everything that went on and has her burn the picture to prove it ain't no big thing. She sees a skull in the ashes and Eric tells her there's nothing there, so she faints. Once she's out, Eric picks the skull up and hides it in the pond. What a shocker! It was Eric all along! I can't believe it's not the retarded gardener! Speaking of special ed groundskeepers, Mickey has been watching this and retrieves the skull from its hiding place. Later Eric goes to find it and freaks out when he can't. The Rev. and his wife make an appearance and Eric tells the Rev that he's taking Jenni away tonight, but also that she might kill herself, so don't be surprised if another one of my wives dies, just thought you should know. Later that night, Eric freaks her out again with some more tricks and he hides around a corner until she comes careening by and he grabs her and chokes her out. Then he gets the noose ready to hang her when all of sudden, company shows up! See, the Rev and his wife have been tipped off by Mickey I guess and so they're coming to rescue Jenni. Now it's time for some poetic justice, some ironic type junk, some what's good for the goose is good for the gander, a little taste of his own medicine, that type of thing.

Eric answers the door, prepared to tell those Jehovah's Witnesses that he's a Unitarian, when he sees it's not a pair of religious zealots in cheap suits at all, but the ghost of his dead wife! What are you doing here, he wonders and throws something at her, causing her to collapse (wuss ghost!). The next thing we know, he's being harassed by her skull! Her screaming skull! Okay, I don't recall if it was really screaming, but it was terrifying to watch him run down the stairs while the skull rolls down after him! I mean, a grown man running away from a plastic skull someone tossed down the stairs? Scare-eee! Well, that ain't the worst of it, because somehow this skull jumps up and starts chomping him on the neck! So you get to see him struggle with it and what do you know, but they end up in the pond! He thrashes around a bit trying to make it look convincing (no dice) then finally croaks. Everyone else decides that maybe the first wife wasn't accidentally dead and that Eric was trying to drive Jenni crazy for her money. If you really insist on watching these domestic terror movies, you'd be better off to check out William Castle's The Night Walker. While not on the level of Hitchcock's suspense thrillers, Castle does attempt to make a full length film with a little imagination and technique. Plus it's got Robert Taylor and Barbara Stanwyck instead of Eric and Jenni (real names unimportant). With the movie being so short, you don't a get chance to understand anything about anyone. They just summed up in 45 seconds of exposition ("her parents died when she was younger, she's delicate" "he was after Jenni's money"). What is up with Eric? Why do you need the money? Why can't you have it while you're married to her? Why'd you get rid of the first wife? If we could've explored his motivations a little, the might have helped. And what exactly is wrong with Jenni other than she is a spaz? As portrayed in the movie, she was high-strung all the time and indiscriminately. Why would things going bump in the night make her all scared just because her parents drowned? The shortness of the movie also hurts it's ability to build up the scares or at least the torment that Eric inflicts on Jenni. Here he just pulls a couple of haunted house gags on her over a weekend and that's that. That wouldn't have made a eight year old sissy wince. What kind of plan was this anyway? Did he think he could just leave skulls laying around the house and eventually she go batty? A completely inconsequential film that has the substance of the large gulps of air I was constantly taking as I watched in an effort to stay awake. I beginning to think that director Alex Nicoli cast himself as the gardener because he couldn't convince a fifth person on the planet to sign onto the project after he signed up the losers that played Eric, Jenni, and the Snows.

Reviews © 2004 MonsterHunter